SILVIA TAVARES

On the complexity of city links

The city is built on weak links; it is these moments of human contact that act like electricity for the city. As a result, the city as a whole becomes more powerful than the sum of its parts and this strange phenomenon – which complexity theorists call emergence – means that the complex city offers a unique dynamism. It is also the energy behind the Ballet of Hudson Street and is the raw material from which are developed trust and community despite the strains of urban life.

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Science Vs Design

Where science is the collected body of theoretical knowledge based upon observation, measurement, hypothesis and test … design is the collected body of practical knowledge based upon sensibility, invention, validation and implementation. (Archer, 1979)

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Suburbanites walk perpendicular. Urbanites walk parallel.

Suburban land is organized by purpose, and suburban experience consequently tends to be selective, single-variable, and destination-centric. One travels to or among destinations, with each answering to one goal. The journey between is generally not designed to have experiential value. This is why, when suburbanites shop at a strip mall, they often walk only between car and front door. If using more than one store, they often return to their car, drive a short distance, and repeat the direct line of engagement to the next destination. Urban experience is continuous, oblique, and incidental. It is all-at-once rather than one-at-a-time. Although one may move through an urban setting with a destination in mind, the journey to it will be rich, varied, and engaging.

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Ilse Crawford on Interior Design

(…) We spend 87% of our lives inside buildings.
How they are designed really affects how we feel, how we behave.
Design is not just a visual thing.
It is a thought process. It is a skill.
Ultimately design is a tool to enhance our humanity.
It is a frame for life.

(Ilse Crawford: Interior Design; in Abstract: The Art of Design) Read more…

‘Streetfight’

“Every community has excuses for why changing the way they use their streets is impossible, impractical, or just insane. I learned firsthand that there is no end to the reasons for inaction. But inaction is inexcusable. As our cities grow, leaders and the people they serve cannot accept dysfunctional streets; they must fight to change them. The fight for these changes—well, that’s just part of the job.”

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‘ENOUGH’- The importance of limit-setting for writing

Photo by Aaron Burden on Unsplash

“(…) limit-setting means learning to . . .

1. ​Start writing before you may feel you’re ready.

2. ​Finish writing before you may feel you’re ready.

3. Know when you’ve done enough with your writing project.

Knowing when you’ve done enough or that you can begin without over-preparation is a critical skill in writing efficiently and painlessly. Without this kind of knowing, writing problems loom at the ready. Without limit-setting, professors expose themselves to an especially insidious kind of stress–of never being able to leave campus feeling they’ve done enough.”

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